Some Figures from Appendix CNgiembɔɔn Instruments in Balessing Find bonus images not referenced in book under the More Resources tab Kéjyága Lefemé or Lefemó Nzǎŋ Figure 1.3. Jean-Pierre, Brian, Étienne, and Photo of Waldo and Elma Schrag Kẅi’ Fùɔ or Nzeme Mmó Ndeenge Ndʉ̀’ Kànɔ̀ɔn Lelemé Ndii Ndʉ̀’ Mbancʉá’ or Tsétsá’ Mbɔ̀ɔn Kɔ̀ɔn or Nkӱoon Mefag Lekwoŋ Lúŋ…
Two Figures from Chapter Six Better Futures: Stable|Malleable Dynamos In Community Thriving Find bonus images not referenced in book under the More Resources tab 6.1 Imaginative Depiction of a Stable|Malleable Dynamo. Alternatively, Artistic Dynamo 6.9 Dhaaley Dai Failed AIDS Awareness Program
Some Figures from Chapter FiveNecessary Rigor: Multi-Artistic Description of One Enactment of One Communication Genre Image above: Common Northwest Cameroon Cap Find bonus images not referenced in book under the More Resources tab 5.1 Common West and Northwest Cap 5.2 Analyzing Artistic Events through Four Lenses 5.6 Composite View of Kànɔ̀ ɔn Foundational Instrument Patterns 5.7 Robert Tido…
Some Figures from Chapter FourConfirmation From A Distance: The Inner Life Of An Urban Dance Association Photo above: DAKASTUM after a studio recording session See this link for more recordings and documents related to DAKASTUM 4.1 DAKASTUM after a Performance in Yaoundé, June 2003 4.2 Moïse Tchinda Overseeing Ndèsɔ̀bɔ Ntsì Ceremony 4.9 Photograph of the…
Some Figures from Chapter ThreeDiscovery At Home: The Stable-Malleable Divide Image above: Cloth associated with death Find bonus images not referenced in book under the More Resources tab 3.1 Primary Research Locations 3.2 Lefemé Gourd Instrument 3.4 Ndèndʉ́ m (jujube) Pods 3.12 Ambrose “Ambicat” Chinda 3.14 Étienne Nota Enjoying Playing a Drum Alone 3.18 Degrees of Artistic Influence…
Some Figures from Chapter TwoFirst Meetings: Bamiléké Communities in Ethnographic and Artistic Context Photo above: King Fouamene Ganno (3rd from left) of Balessing and His Entourage Find bonus images not referenced in book under the More Resources tab 2.1 King Fouamene Ganno of Balessing 2.2 Map of Movements of the Ngiembɔɔn (not to scale). The Noun River (not…
Some Figures from Chapter OneSetting the Stage: From Humble Learning to Artistic Communication Photo above: Tiozang Family in 2002 Figure 1.1. On the road to Batcham with DAKASTUM Figure 1.2. Map of Bamiléké and Ngiembɔɔn Regions in Cameroon Figure 1.3. Jean-Pierre, Brian, Étienne, and Photo of Waldo and Elma Schrag Figure 1.4. Ndongo’s Model of…